'Little Night' comes from deep in my heart, and tells about the lengths people will go for love.

'Little Night' has layers of meaning. There's something enchanted about night. All those heavenly bodies, shooting stars, the crescent moon, celestial phenomenon. Owls fly at night, and first kisses happen. Night is romantic. Alternately, darkness hides the worst of human behavior.

'Little Princess' was the first big movie that I did in America with big stages where we had kind of a different schedule to work. We had a great production designer, Bo Welch, and we had time to think about the movie in pre-production.

'Little Women' has interesting gender connotations. There are generations of women who love the book. But there are a lot of men who think it's sentimental, gooey stuff.

'Liv and Maddie' actually started out as a different show called 'Bits and Pieces,' and it was a completely different plot, although it was the same cast.

'Liv and Maddie' didn't start out as a twin show. I actually played a different character in the beginning, and it was neither of the twins.

'Liv and Maddie' is very near and dear to my heart. I'm very proud of it.

'Live a Lie' is inspired by recent combinations found in dubstep.

'Live and let life' used to be a noble approach to life. Now you're considered compassionate if you demand that government impose your preferences on others.

'Lives' is one of those books I should really have written when I was younger. It is the classic childhood, adolescence, breakthrough-into-maturity book. Every beginning writer has that material -- and after that, you're not sure what you can do.

'Livin' the Life' is about celebrating life and spreading love and kindness around the world.

'Living Single' was on in early 1990s -- the show about Queen Latifah living with a bunch of friends. And then there's 'Friends,' and that's called the groundbreaking show about unmarried adults living in New York!

'Lizzie McGuire' was my big thing when I was younger. I did buy some pencils and back-to-school stuff of hers because she was on it. I loved her.

'Logan Lucky' is an experiment. The problem that I think needs to be addressed is, what has happened to movies for grown-ups made by people who are still interested in the idea of cinema?

'Lolita' was a great wound in the side for me. I stuck my neck out maybe further than I should have and castigated the studio for not getting behind it.

'Lollipop Opera' is the backdrop to Finsbury Park. A place that is very thriving, interracial and lot of music stores, Greek, Turkish, all sorts of immigrant music. It's utter Englishness. It blends the Jamaicans, the Irish. It's like what Jim Reeves did with American country music.

'London' is a gallery of sensation of impressions. It is a history of London in a thematic rather than a chronological sense with chapters of the history of smells, the history of silence, and the history of light. I have described the book as a labyrinth, and in that sense in complements my description of London itself.

'Lonerism' is such an insular, detached album.

'Lonesome Dove' by Larry McMurtry and 'The Poisonwood Bible' by Barbara Kingsolver have stuck with me throughout my life, and I think that says a lot about an author's writing.