'Lost Girl' has just proven to be one of those shows that people enjoy watching. It has an alchemy about it. It's an escape or a release for people, and that's the best we can hope for.

'Lost in Translation' movie says something interesting about the alienation of being a stranger in a strange land, but also of being a celebrity. That kind of feeling of not being in the same strata as everyone else.

'Lost' did alright, you know. Not that I didn't get into it -- I just never watched enough of them; but the uphill battle is that you've got to stay tuned.

'Lost' fans were fantastic fans. I've said this before, but they were rabid, and they questioned everything -- they were merciless, but I loved them for that.

'Lost' holds a very special place in people's hearts and I wouldn't presume to say that 'FlashForward' will replace 'Lost.' I think it provides a lot of the same adrenaline and fascination and entertainment. It will help ease the pain of losing 'Lost!' I think it will appeal to the very same audience.

'Lost' is about a bunch of people stranded on an island. It's compelling, but kind of tiny. But what sustains you are the characters.

'Lost' is an entity of its own. It's still such a culture touchstone that I think it'll be something people go back to for a long time, like 'Star Trek.' I'm just so amazed by the show's popularity.

'Lost' is driving toward an ending, and that ending is: Are these people getting off this island? What is the nature of this island? What is going to happen to them? What is their ultimate fate? What is their ultimate destiny? Those questions need to get answered.

'Lost' is such a thematic show that I'm always afraid that if I know something's going to happen at the end, I'll subconsciously write something in where someone who's astute will go, 'Oh, he used so-and-so's theme: that must mean so-and-so is coming back!'

'Lost' makes a lot of sense to me, philosophically.

'Lost' seems to be the inverse of 'Air': It explores dispossession and identity by forcing a bunch of people into one invented landscape instead of using many invented landscapes to keep people apart.

'Lost' was a phenomenon, like Elvis.

'Lost' was filmed in Hawaii, so we stayed there and loved it, so we thought, 'Why would we leave?' It is a bit like growing up in a bubble, but I don't think that's a bad thing, as you will eventually get out and see the real world.

'Lost,' at its core, is a science-fiction show. Live music helps lend an air of legitimacy to this otherwise crazy storyline. It makes a big difference.

'Louie' is a beautiful show. I think it's art on television.

'Love Aaj Kal' is not really a road movie, but it does involve some travel.

'Love Don't Let Me Down,' which is the original title of 'Country Strong,' was just as difficult emotionally as 'Tron' was physically. I play a country singer that basically gets on tour with Gwyneth Paltrow's character, who is one of the biggest country stars out there, and she's fallen down too many times and it's an intense emotional story.

'Love Is Strange' was just a beautiful experience in so many ways.

'Love Letter' is a concept album, and whenever I do a concept album -- and I love doing concept albums more than any other kind of album -- it allows me to get dressed, in a way, musically.