89 Quotes by Chuck Berry
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Wikipedia Summary for Chuck Berry
Charles Edward Anderson Berry (October 18, 1926 – March 18, 2017) was an American singer, songwriter and guitarist who pioneered rock and roll. Nicknamed the "Father of Rock and Roll", he refined and developed rhythm and blues into the major elements that made rock and roll distinctive with songs such as "Maybellene" (1955), "Roll Over Beethoven" (1956), "Rock and Roll Music" (1957) and "Johnny B. Goode" (1958). Writing lyrics that focused on teen life and consumerism, and developing a music style that included guitar solos and showmanship, Berry was a major influence on subsequent rock music.
Born into a middle-class African-American family in St. Louis, Berry had an interest in music from an early age and gave his first public performance at Sumner High School. While still a high school student he was convicted of armed robbery and was sent to a reformatory, where he was held from 1944 to 1947. After his release, Berry settled into married life and worked at an automobile assembly plant. By early 1953, influenced by the guitar riffs and showmanship techniques of the blues musician T-Bone Walker, Berry began performing with the Johnnie Johnson Trio. His break came when he traveled to Chicago in May 1955 and met Muddy Waters, who suggested he contact Leonard Chess, of Chess Records. With Chess, he recorded "Maybellene"—Berry's adaptation of the country song "Ida Red"—which sold over a million copies, reaching number one on Billboard magazine's rhythm and blues chart.
By the end of the 1950s, Berry was an established star, with several hit records and film appearances and a lucrative touring career. He had also established his own St. Louis nightclub, Berry's Club Bandstand. He was sentenced to three years in prison in January 1962 for offenses under the Mann Act—he had transported a 14-year-old girl across state lines. After his release in 1963, Berry had several more successful songs, including "No Particular Place to Go", "You Never Can Tell", and "Nadine". However, these did not achieve the same success or lasting impact of his 1950s songs, and by the 1970s he was more in demand as a nostalgic performer, playing his past material with local backup bands of variable quality. In 1972 he reached a new level of achievement when a rendition of "My Ding-a-Ling" became his only record to top the charts. His insistence on being paid in cash led in 1979 to a four-month jail sentence and community service, for tax evasion.
Berry was among the first musicians to be inducted into the Rock and Roll Hall of Fame on its opening in 1986; he was cited for having "laid the groundwork for not only a rock and roll sound but a rock and roll stance." Berry is included in several of Rolling Stone magazine's "greatest of all time" lists; he was ranked fifth on its 2004 and 2011 lists of the 100 Greatest Artists of All Time. The Rock and Roll Hall of Fame's 500 Songs That Shaped Rock and Roll includes three of Berry's: "Johnny B. Goode", "Maybellene", and "Rock and Roll Music". Berry's "Johnny B. Goode" is the only rock-and-roll song included on the Voyager Golden Record.

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Rock is rock, and, rock and roll, rock is just short for rock and roll.

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Everything I wrote about wasn't about me, but about the people listening.

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I think my interviews were much better than what some of the writers wrote. I just wanted the truth out.

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My 12th was my most Christian and most boring year of my life. Try as I did, day after day, to cling to righteousness, I was washed down in suds of sinful surroundings.

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The Rolling Stones... The Rolling Stones have a reflection to my music; I wouldn't deny it. I think that's honest.

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One of my realizations is that if you revel over joy, you're going to ache over pain and get killed over hurt. Your span of feelings are going to go just as far one way as the other.

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I wanted to be a comedian. And I did that so much in high school, I couldn't get a girlfriend.

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There had to be a market in order for you to be successful in a business. The market had to need your business, or the product of it.

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People said I was king, but I was never king, and I say I'm the prime minister.

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Remember that my view, the only true view I can see with, is through the black eyes that I have.

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I didn't connect with the kids. I was in the studio. I never saw the kids. I hoped they liked it, of course. And then I'd go write some more. And then I'd go buy me a home. Very American.

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My father married once. I married once. This is a conviction of ours. This is the way we grew up.

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Music should be made to make people forget their problems, if only for a short while.

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Elvis' songs will always be there, and I hope mine will be after I'm gone.

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If you're going to be mad, at least let the people know what you're mad about.

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I've written songs on everything. Menus. Napkins. Little pieces of paper.

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The first thing I heard was spiritual music, which was imbedded. The second thing I heard was swing. And shortly, along with that, I began to hear the blues. And then I began to hear Latin music. Each one left its mark.

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I just feel I got my inspiration, education and all from others that came before me. And I added my... I don't even know if I added anything. I played what they played, and it sounded different, I guess.

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I added and deleted according to the audiences' response to different gestures, and chose songs to build an act that would constantly stimulate my audience.

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It's not me to toot my horn. The minute you toot your horn, it seems like society will try and disconnect your battery. And if you do not toot your horn, they'll try their darnedest to give you a horn to toot, or say that you should have a horn.

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If I wasn't a musician, I'd take up the law. They are the rottenest, wealthiest people in America.

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I made records for people who would buy them. No color, no ethnic, no political -- I don't want that, never did.

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I directed my music to the teen-agers. I was 30 years old when I did 'Maybellene.' My school days had long been over when I did 'School Day,' but I was thinking of them.

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In the Fifties, there were certain places we couldn't ride on the bus, and now there is a possibility of a black man being in the White House. You have to feel good about it.

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Maybe it is true what they say, that playing these Chuck Berry songs is easy. But try singing them. The words come out hard, like bullets.

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People don't want to see 17 pieces in neckties. They wanna see some jeans, some gettin' down, and some wigglin'.

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Looking hard for a drive in, searching for a corner cafe, where the hamburgers sizzle on an open grill night and day.

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Rock 'n' roll accepted me and paid me, even though I loved the big bands I went that way because I wanted a home of my own. I had a family. I had to raise them. Let's don't leave out the economics. No way.

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It used to be called boogie-woogie, it used to be called blues, used to be called rhythm and blues...It's called rock now.

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Had I been pushed like Colonel Parker pushed Elvis, had I been a white boy like Elvis, sure, it would have been different.

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My first job at Gleason's Bar in Cleveland was $800 a week, when I was making $92 a week with overtime at the automobile plant.

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I wanted to play blues. But I wasn't blue enough. I wasn't like Muddy Waters, people who really had it hard. In our house, we had food on the table. We were doing well compared to many. So I concentrated on this fun and frolic, these novelties.

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Music is an important part of our culture and record stores play a vital part in keeping the power of music alive.

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Listening to Nat Cole prompted me to sing sentimental songs with distinct diction.

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I used to work at Kroger's. When the store opened, you were there. When I worked in an automobile plant, you punched in. So it showed if you were a minute late. If you have a paid job, you show up.

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Music is music; you can't change rock and say well this is punk rock and this is acid rock or rockabilly.

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Curiosity provoked me to lay a lot of our country stuff on our predominantly black audience and some of our black audience began whispering who is that black hillbilly at the Cosmo?

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There has been a great laziness in my soul. Lots of days I could write songs, but I could also take my $400 and play the slot machines at the riverfront casino.

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I eat meat daily. I'm not Jewish. I'm not Arabic. What's the kind of person that doesn't eat meat? That's right -- I'm not a vegetarian.

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Could you imagine the way I felt, I couldn't unfasten her safety belt. All the way home I held a grudge, for the safety belt that wouldn't budge.

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If you want to release your aggression, get up and dance. That's what rock and roll is all about.

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I love poetry. I love rhyming. Do you know, there are poets who don't rhyme? Shakespeare did not rhyme most of the time, and that's why I do not like him.

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My music is simple stuff. Anybody can sit down, look at a set of symbols and produce sounds the music represents.

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In a way, I feel it might be ill-mannered to try and top myself. The music I play is a ritual. Something that matters to people in a special way. I wouldn't want to interfere with that.

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The Big Band Era is my era. People say, 'Where did you get your style from?' I did the Big Band Era on guitar. That's the best way I could explain it.

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Of the five most important things in life, health is first, education or knowledge is second, and wealth is third. I forget the other two.

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My singing days have passed. My voice is gone. My throat is worn. And my lungs are going fast.

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Charlie Christian played amplified guitar with Benny Goodman's quartet. He was the greatest guitar player that ever was. But he never looked up from the guitar. But I put a little dance to it. They appreciate seein' something along with hearin' something.

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I grew up thinking art was pictures until I got into music and found I was an artist and didn't paint.

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The music played most around St. Louis was country-western and swing. Curiosity provoked me to lay a lot of the country stuff on our predominantly black audience. After they laughed at me a few times, they began requesting the hillbilly stuff.

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Science and religion are both the same thing. They're there; they're life. If it's not science, it's not a fact.

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It amazes me when I hear people say, 'I want to go out and find out who I am.' I always knew who I was. I was going to be famous if it killed me.

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That's all there was in our house: poetry and choir rehearsal and duets and so forth; I listened to Dad and Mother discuss things about poetry and delivery and voice and diction -- I don't think anyone could know how much it really means.

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My dad was the cause of me being in show business. He was not only in poetry but in acting a bit. He was Mordecai in the play 'A Dream of Queen Esther.'

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You don't just go to the studio and say, 'I'm going to write a hit.' It becomes a hit when people like your compositions.

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You know, your ears record. You might can sing a song once you hear it.

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A song is a song. But there are some songs, ah, some songs are the greatest. The Beatles song 'Yesterday.' Listen to the lyrics.

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A contract is an ask game, and if it asks for an hour, and I submit to an hour, then it's an hour. When I look at a contract, I look at the obligation -- where, when, how long, the compensation. If I agree to it, that's the way it is. I have an obligation. They have an obligation.

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Rock 'n' roll accepted me and paid me, even though I loved the big bands... I went that way because I wanted a home of my own. I had a family. I had to raise them. Let's don't leave out the economics. No way.

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It's amazing how much you can learn if your intentions are truly earnest.

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If the people in the audience are talking, you're being ignored. If the people are gazing at you, you've got something they want to hear.