What your idea of the only way to do things, may not be for another, respect other's opinions, no harm no foul.

What your foes do derives its significance or consequence from the way you react.

What your character does for a living is one of the most important choices you can make in a screenplay, even if their job is tangential to the story, because it tells you everything about the condition of their life. Are they doing what they love? Are they doing what they hate?

What your beliefs are about anything creates your actions. What you believe about marriage creates the way you handle your marriage. What you believe about raising kids creates the way you do that.

What young men nowadays don't realise is that ballroom dancing can be such a source of enjoyment.

What you've lost sight of is what you are, and what you are is what you hate. You're the 10-time WWE Champion! You're the man! You, like the Red Sox, like Boston, are no longer the underdog! You're a dynasty. You are what you hate. You have become the New York Yankees!

What you've got to say, you say.

What you've got to realise is that footballers, and me in particular, have seen everything in the changing room. Everything. I've seen the manager kicking off with the players, the players kicking off with him, players fighting each other, managers fighting, everything.

What you've got to do is recognize that you don't control everything for a start, you've got to play the cards you're dealt, the hand of cards you're dealt, as best you can, and that's what I always seek to do.

What you've got is 30,000 people calling you an asshole.- Stone Cold Steve Austin What I've got is 30,000 people I couldn't care less if they lived or died.

What you've done is done. You've got a goal you never reach, and it's always farther away. It keeps you walking. I don't want to sit down.

What you've done becomes the judge of what you're going to do -- especially in other people's minds. When you're traveling, you are what you are right there and then. People don't have your past to hold against you. No yesterdays on the road. William Least Heat Moon.

What you've done becomes the judge of what you're going to do -- especially in other people's minds. When you're traveling, you are what you are right there and then. People don't have your past to hold against you. No yesterdays on the road.

What you're willing to sacrifice is the measurement of how you love -- at least it is for me.

What you're trying to do when you write is to crowd the reader out of his own space and occupy it with yours, in a good cause. You're trying to take over his sensibility and deliver an experience that moves from mere information.

What you're trying to create is a certain kind of an indispensable presence, where your position in the narrative is not contingent on whether somebody likes you, or somebody knows you, or somebody's a friend, or somebody's being generous to you.

What you're thinking is what you're becoming.

What you're supposed to do when you don't like a thing is change it. If you can't change it, change the way you think about it. Don't complain.

What you're seeing, certainly on Instagram, is not real, not a reflection of real life, not an interaction.