I'll always try to follow my heart into things I love, and modelling is not something I'm dreaming of pursuing forever.

Production chains, how consumers can drive change: all these things may seem at odds with fashion, but arguably, they're not.

If I'm anywhere close to where I can hike or swim, that's my favourite thing to do.

There are so many great, great vintage clothes to find; there's a whole territory unexplored there.

As users of the Internet, we all have a role to play in defining what we want it to be.

I would like better colouration of my legs, like a little less of that English mottled purple thing that makes it necessary to wear tights all the time.

I don't believe there's an afterlife -- but I don't believe there's an end to life. Consciousness goes beyond the bounds of your body.

I love beautiful things; I like having nice clothes, and I can appreciate why other people do -- but I've also started to learn more about the impact of what we buy: how things are made, how much you buy and the quality of everything.

In British culture, redheads get teased at school. But I've grown up enough to realize I love my hair.

With acting, if I'm any good at it, my modeling career would never be a hindrance but would rather be a help. And if I'm not, then it doesn't really matter.

Acting is something I've done since I was six years old, performing for my mum and my family in the living room, and I do it because my heart's in it.

Talent is crucial. It needs to be driven by motivation, but blind ambition isn't the key.

The need to protect the environment has emerged as an undeniably important priority for me.

I usually have a lip balm in my bag and mascara as well. I don't really wear much make-up, but I like mascara because I've got fair colouring.

I don't think of myself as a role model for others, but I like to live my life by my own integrity. So, in that sense, I might be a positive influence. I do believe you should get over your insecurities and just try to be the best you can.

Life is shining a light through a magnifying glass on me, looking for me to stumble. I think that's my biggest fear.

It's not that I don't believe in creativity and innovation and new ideas, and the creativity that comes with fashion, which I really respect. But one of my biggest concerns is just how cheap we expect everything to be.

Marilyn Monroe and Vivienne Leigh are real icons of mine. In terms of visual culture, they are both so iconic. There weren't any paparazzi shots of them falling out of taxis, so they will always look so incredible.

I think models have a lot less power than they did in the '80s, when there were, like, only 10 supermodels who could dictate the rules, whereas now there's so many, and that changes the power dynamic and makes it a more insecure business.

I think a lot of the most interesting work in art and in films are often kind of polarized opinions and affect people in very different ways, which may be less successful commercially, but they elicit a dialogue that's quite interesting.