I've got a song with Roscoe Dash -- that's next level, man.

There's a lot of us out here that are birds, man. We all need to just fly.

My work ethic is crazy. I'm a producer, an artist, and a video director.

My whole story is straight mythical. It's tangible, but it's also what life could be.

I feel like everything needs to be stylised; that's always been my mindset.

I have black friends, but I don't just hang out with black kids. I might pull up with Indian kids, white kids, black kids, whatever.

Yes, money is important. But it's all about the creative process.

Fans be reflecting the way I be making music.

I'm super nice -- I just get excited!

Me being in Houston, I wanted to leave there because it was only known for one thing. That's why I hit N.Y.; that's why I hit L.A. That's why I hit Paris, London. I just picked up basically everything, but I morphed it into what Travi$ Scott is and into what I know is fresh.

My mom used to work for Coach and Louis Vuitton, in retail. So, I've always been around it. I've always had that connection. Always.

Kanye and T.I. both engage with what I'm doing.

You can't buy vision, and you can't buy aesthetic.

My mom worked for Apple, and my dad owned his own business.

Growing up in Houston, the music scene is super boring.

I like how fashion is becoming more like music. It's more adaptive to young kids. It's more adaptive to a more on-the-go lifestyle. More street vibe. But I've always been into it.

I've been really trying to put people onto, like, my sound since I was, like, 17, 16.

I always hate when, like, my favorite performer has a boring moment. Especially when they got mad hits.

I'm always up for collaborating with brands and people who actually design, but doing your own line is a whole other beast. I don't think I could deal with the criticism.

Beyonce is, like, the highest level. We all reach for that level.